Upon hearing a V12 engine for the very first time at a classic F1 car show at Brands Hatch in England, the sound reverberated through my body. The smell of being in a paddock is visceral, the oil and ...
Sound editor Al Nelson wanted to recreate the experience of a Formula One race: “It’s something you feel in your bones.” ...
Nelson agrees that Kosinski usually has "at least one or two waiting in the wings," and first heard about the possibility of a drama about Formula One racing while he was working on Spiderhead. "Joe ...
Joseph Kosinski had one instruction for the sound team behind his latest feature “F1”: It needed to be as immersive as possible, and he wanted the audience to feel like they were in the car. Except, ...
For re-recording mixers Juan Peralta and Gary A. Rizzo, auto-racing fans were a key audience they hoped to please with their work on "F1." They weren't the only key audience, however. "We wanted to ...
For re-recording mixers Juan Peralta and Gary A. Rizzo, auto-racing fans were a key audience they hoped to please with their work on “F1.” They weren’t the only key audience, however. “We wanted to ...